Rambo (2008)

I'll be honest—Sylvester Stallone movies, especially the Rambo series, have always been a guilty pleasure of mine. It's hard, though, to recognize them as quality cinema, and justifying unnecessary sequels is even harder to do.  Similar to his resurrection in 2006 of the Rocky franchise, Rambo brings Vietnam War vet John Rambo back from a twenty year hiatus and proves that both the character and this kind of action movie are no longer relevant, if they ever were.

Hiding in the remote jungles of Thailand isn't enough to keep renegade super-soldier John Rambo (Stallone) away from the action for too long.  When a group of American missionaries (Julie Benz, Paul Schulze) is captured by the military junta in Burma, Rambo must once again put on his trademark red bandana and head into the warzone, leading a half-dozen mercenaries against an army of over a hundred.  If you've never seen a Rambo movie before this might seem a bit much, but for anyone familiar with Stallone's signature trained killer, this is just another nature hike.

Mushmouth Stallone is as poor an actor as ever, but that's part and parcel of who his characters are.  An articulate Rambo just wouldn't work.  This doesn't excuse his complete lack of effort here, though, and the difference between his performance in Rambo and First Blood is noticeable. As much as Stallone may want us to believe that Rambo doesn't want to get involved with war but is drawn in time and again by either his Vietnam conditioning or his own conscience, the change is never organic, and I've never been surprised to see his character embrace his martial prowess in any of the films. John Rambo might be one of the most one-dimensional characters of all-time but surrounded by the rest of this cast, it almost goes unnoticed.   It's like watching a first read-through of a draft of an unfinished script with how inorganic every line from start to finish is delivered.

A lot has changed in action films since 1988's Rambo III in both style and graphic nature of violence.  The number of exploding heads, mutilated bodies and violent gore here rivals Saving Private Ryan but without the emotional or historical core. If anything, the effectiveness of the already weak thrust of the film is lessened by the explicitness of the violence, because the quality that makes Rambo fun is that one must suspend disbelief to a much higher degree than normal in order to buy the outrageous nature of Rambo's antics. But when the film attempts to blend unrealistic action with the very real results of violence it creates a disconnect that neither entertains nor get across the (I assume) desired message about the horrors of war.

Rambo attempts to make statements on the nature of war and its impact on those who are both participants and victims, but it exploits both to a level that the surface is too muddy to ever get to the half-baked moral core that Stallone is aiming for.  It's just further evidence that some things should remain dead, and one can only hope that this is the final installment in the Rambo series.  The unsatisfying conclusion of the film seems to resolve the main character's primary internal conflict, so hopefully Stallone is done with him.  The only question that remains is if we'll see a sequel to Cobra next year.

-Mark Moreland


 

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Director: Sylvester Stallone
Writer: Art Monterastelli, Sylvester Stallone, David Morrell
Starring: Sylvester Stallone , Julie Benz, Matthew Marsden, Graham McTavish, Tim Kang, Rey Gallegos, Jake La Botz, Tim Kang, Maung Maung Khin, Paul Schulze
Distributor: Lionsgate
Runtime:
91 min
Rating:
R
Release Date:
January 25, 2008

 

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